Spotlight on Joan Miró

“The painting rises from the brushstrokes as a poem rises from the words. The meaning comes later.” ~ Joan Miró

Joan Miró was born April 20, 1893 in Barcelona, Spain. Son of a goldsmith mother and watch-making father, he was encouraged to go into business at an early age. Miró was drawn to the arts though. He acquiesced by attending both business school and art classes at La Escuela de la Lonja. It proved to be the art that won out though. Leaving the business world behind,  Miró continued his art lessons and was rewarded by the first solo exhibition of his works in 1918 at the Dalmau Gallery.

The Farm -1922

With a taste of the art world, Miró decided to expand his horizons and visited Paris in 1920. It was here that he met Pablo Picasso and was introduced to the Cubist movement. He also met the likes of André Masson, Pierre Reverdy and Tristan Tzara, who would come to be his friends, confidantes and influential on his artwork over the years. His earlier Fauvist style, now showed signs of these influences and by 1921, he had the first exhibit of his works in Paris, at the Galerie la Licorne.

Carnaval de Arlequin -1924

Miró was never one to settle into a rigid style though, so as time marched on, so too did his artwork. He divided his time between Paris and Spain, drawing on his Catalan roots, Fauvism, Cubism, and gradually showing an influence from Surrealism. In fact, by 1924 he joined the Surrealist group and exhibited with them at the Galerie Pierre in 1925.

La Femme Angora - 1969

This change in style saw Miró drifting away from traditional mediums and start exploring other art forms. He began experimenting with collage on almost any surface he could get his hands on, including paper, copper and sandpaper. He tried his hand at lithography, etchings and painting other surfaces, such as stones and other found objects. He pulled away from the very idea of the frame that surrounded a painting in fact and while subject matter could still be found in his work, landscape was gone.

Dona i Ocell - 1982

While Miró embraced more sculpture and public works in his later years, he is credited with painting over 2000 oil paintings, 5000 drawings and collages, 500 sculptures and 400 ceramics. It wasn't until the 40s that he started working with ceramics, but by the 60s his focus turned to sculpture. His monumental achievements were recognized by galleries and museums around the world, including the Guggenheim.

For this reason, and so many more, he is the focus of this week's Master Series Children's Art Workshop held by Budding Artists. Join us for 90 minutes of fun, history and a dash of creativity as we explore the Surreal world and works of Joan Miró. Workshops are held at the London Farmer's Market in London, Ontario at 10:30am and 1pm. Contact Budding Artists today to reserve your child's spot!

A Point About Georges Seurat

"Some say they see poetry in my paintings; I see only science." ~ Georges Seurat

Shall we get straight to the point today? We are talking about Georges Seurat. He was a French painter. He was born on December 2, 1859 and he revolutionized the art scene with his new fangled approach to art called Pointillism. In his short 31 years on the planet, he painted over 60 canvases, filled many sketchbooks full of drawings and was instrumental in ushering in Neo-Impressionism. Sadly, he passed away March 29, 1891, but left behind some of the most impressive examples of artwork that exemplified his interest in colour, linear movement, and indeed the science behind art as a whole.

Bathers at Asnières

So what exactly is pointillism and how did Seurat introduce it to the world? While Seurat was encouraged to pursue his artistic interests via relatives, and attended the École des Beaux-Arts from 1878-1879, it wasn't until he struck out on his own that his art blossomed. He discovered the Impressionist painters of the day and realized that he did not have to be limited by rigid academic dictates. It was at this point that he began studying colour, light and began experimenting with tiny brush strokes that evoked a bigger picture when looked at from afar.

The Gardener

In fact, the more that Seurat studied the science behind vision and colour, the more he developed his own style. He used tiny dots of colour, to form his paintings and in such a way added immense depth to his canvases. By 1884, he helped to found the Société des Artistes Indépendants, with artists such as Maximilien Luce and Paul Signac. Signac was to become a good friend of Seurat's and ultimately followed in his artistic footsteps. By the time the two artists exhibited their work in Brussels in 1887, alongside other artists who were also using a pointillist style, they decided to form a new group and called themselves Neo-Impressionists.

Young Woman Powdering Herself

While Seurat continued to paint, disagreements between members of the newly formed Neo-Impressionist movement soon found him withdrawing from the formal group. He met Madeleine Knobloch in 1889 and became smitten with the young, simple woman (who is the model for Young Woman Powdering Herself). The two had a child together, but Seurat suddenly became ill shortly thereafter. He left an unfinished painting ("Circus"), as his last piece before his death. His infant son died shortly thereafter, probably of the same illness (unproven, but quite possibly their deaths due to diptheria). What was not lost though, was a new style of painting that influenced the likes artists to come, such as Van Gogh, Gauguin and Lautrec.

Budding Artists hopes to influence a whole new generation of artists this Saturday April 21st at the London Farmer's Market during our weekly children's art workshop. Georges Seurat will be our Master Artist to explore, as children learn a little art history, have a lot of fun and get to bring home their very own Seurat-inspired artwork made by themselves. Workshops are held at 10:30am and 1pm and run for 90 minutes, so register today to make sure your child gets to enjoy artwork with a point.

I offer you a moment to enjoy and explore one of Seurat's most famous paintings "La Grande Jatte", set to music. Can you remember what movie this famous picture was featured in and who got lost in the little girls face?

Impressions of Claude Monet

Inviting meadows, serene ponds and idle women relaxing in reverie are all images that were caught by the deft hand and delicate impressions from one of France's most renowned painters, Claude Monet. Born in Paris, France on November 14, 1840, Monet was destined to become a Master Painter. By the age of five, his family moved to Le Havre, where he began to show interest in the arts. While his father encouraged the young Monet to go into business, his mother supported his artistic endeavors, so by the time he entered secondary school he was already well versed in drawing caricatures of his fellow students and teachers. With lessons in drawing, from Jacques-Françoise Ochard, his skills further developed, setting him firmly on the path of the life of an artist.

The Rock Needle
And The Porte D Aval 

Always preferring to be outdoors, when the young artist met Eugène Boudin in 1856/7 it proved to be providential. Boudin encouraged Monet to paint outdoors or "en plein air", and this style of painting stayed with him throughout his life. Boudin also introduced the use of oils into Monet's repertoire and soon landscapes began to appear in his paintings as well. While the death of his mother devastated the young Monet in 1857, it also propelled him forward in his career. Shortly thereafter, he moved back to Paris and met the likes of Édouard Manet and Camille Pissarro, both of which were to become friends and influencers of his art.

Impression Sunrise

Between 1861-2, Monet joined the military and served in Algiers. Due to poor health, he was discharged from service and returned to Paris, where he began studying under Charles Gleyre. It was during this time that he met Auguste Renoir, Alfred Sisley and Frederic Bazille, fellow painters that would prove to bring a new style of painting to the art world. With rapid brush strokes and a focus on lighting, which could often only be achieved by painting outdoors, these influential artists were to become the founders of the Impressionistic movement.

Camille aka
The Woman in a Green Dress

Long before the world hailed Monet as a Master Artist, he faced many struggles. While he gained a measure of fame when he had a few pieces selected by the Salons in Paris, a lack of financial stability and depression threatened to erase this budding artist. In 1870, he married Camille Doncieux, who had been a long-time model for many of his portraits. The outbreak of the Franco-Prussian war forced the newlyweds to flee to England, then the Netherlands, before returning to France in 1871. While his connections in the Impressionist movement grew, the health of his wife failed, and in 1879, Camille died of tuberculosis.

Water Lilies - 1905

Monet was devastated by his wife's death, and vowed to never again live in poverty. He threw himself into his work, entering the most productive phase of his life. He continued to paint en pein air and created magnificent landscapes and still lifes of everything from haystacks to water lilies, some of which today are now worth into the millions of dollars. He made Vétheuil home for a number of years, until he discovered Giverny. It was in Giverny where he finally bought himself a property that allowed him the luxury of painting to his heart's content in his very own gardens long into his years. Despite failing health and vision, this prolific artist painted up to his death on December 5, 1926.

On Saturday April 14, at the London Farmer's Market, you too can be swept away by the light of this Impressionist painter. Claude Monet will be the featured Master Artist in the first session of Budding Artists third Master Series Art Workshops for children. Register your child now for either the 10:30 am or 1pm workshop and expect them to have fun exploring art history, games and of course artistry, as they create their own masterpiece to take home with them. See you then!

The Subject I Know Best: Frida Kahlo

Meet Frida Kahlo, born July 6th, 1907 in Coyoacán, Mexico. This Mexican artist is well known for her surrealist paintings, but most especially for her self-portraits. Plagued by troubles throughout her life, she still managed to paint 143 paintings of which 55 of those were self-portraits. As she was often bed-ridden, she was

"...the subject I know best",

hence finding herself so often among her portrayals. What was it about her life that led to her inward eye though? Let's take a look...

Self Portrait -1926

Kahlo was a young girl at the start of the Mexican revolution (began 1910) and as such, was often exposed to the violence that occurred outside her door. The "Blue House", her childhood home and residence later in life, may have protected her from some of the ills of war, but it could not protect her from illness, and at the age of six she developed polio. While she survived, Kahlo was to bear the scars of her illness in the form of a thin and stunted right leg. She learned to cover up this deformity, but tragedy was to strike again. On September 17, 1925 Kahlo was in a serious bus accident that left her bedridden for upwards of a year recovering from multiple injuries, that included a fractured spine and collarbone, broken ribs and pelvis, as well as multiple injuries to her right leg and foot. Sadly, her uterus was also damaged in the accident, meaning that at the age of 18, she was humbled by the knowledge that she would never have the opportunity to bear children.

What the Water Gave Me

As doctors questioned whether Kahlo would live, she herself refused to give up. She underwent over 30 surgeries, but took the time while she was recovering to delve into a new talent, that of painting. With her dreams of medical school behind her, she refocused on her artistic endeavours and began to paint portraits of herself, family and various friends. The colour and form were derived from her Mexican roots, but the style was all her own.

Self Portrait - 1940

It was via her budding artistic career that she met Diego Rivera, a well-known local muralist. Despite their difference in size (he was 300lb and she a mere 98lb) and age (he was 20 years her senior), they found themselves quickly entwined and by 1929 they were married, despite her mother's disapproval. While their original interest in art and communism drew them together, their differences made for a volatile union. Both of them had extra-marital affairs (Kahlo with both men and women), that brought them to divorce each other in 1939. It would seem that the old adage of "can't live with 'em and can't live without 'em" was in evidence for this couple though and they remarried again in 1940.

The Love Embrace of the Universe,
the Earth (Mexico), Me,
and Senor Xolotl

Throughout her pain-riddled life, Kahlo turned to the easel to help her through the turbulence. Her personality was large and flamboyent, as was so often portrayed on her canvases. She drew on images from her Mexican culture, as seen in the variety of monkeys, birds and brightly coloured flowers that graced her paintings. Often enough, her brooding eyes were the first draw for the viewer though. While she had various showings of her work in the USA and Europe, it wasn't until 1953 that she had her first exhibition of her work in her native land. While time would bring more fame to this spunky Mexican artist, her life was cut short by her death on July 13, 1954.

This weekend, Kahlo's fame lives on as Budding Artists features her in their Children's Art Workshop at the Western Fair Farmer's Market. Register your child today for either the 10am or 1pm 90-minute workshop, so that they can explore her style while creating artwork all their own. See you then!

A Portrait of Giuseppe Arcimboldo

From the mind of a master, comes the fruits of his labours. And the books, flowers, roots and whatever other appropriate objects that captured the essence of the portraits painted by Giuseppe Arcimboldo. This imaginative painter was born in Milan in 1527 and was highly popular in his day. While falling out of favour during later art periods, Budding Artists revives this Italian Painter today in our newest look at a Master Artist for our weekend Art Workshops for Children at the London Farmer's Market in the Western Fair District. If you haven't brought your children by for one of the fun and educational workshops at either 10am or 1pm, perhaps 90 minutes of fruit-filled art history and creation,  inspired by Arcimboldo, will be just the thing!

Air

While the name Arcimboldo might not immediately ring a bell, his artwork surely does. This gifted painter lived during the High Renaissance period and was admired by his peers and royalty alike. He was the son of Biagio Arcimboldo, who was also an artist in his own right. Like his father before him, he began his career in stained glass, but it was Arcimbolodo's portraits that caught the eye of the courts that would support him for most of his life.

Winter

After studying under Leonardo Da Vinci, in 1562 Arcimboldo was called to the Royal Courts by Emperor Ferdinand I. His position as court portraitist became questionable when Ferdinand  died shortly thereafter, but the following emperor, Maximilian II, admired his caricatures as well and kept him on. He became an important royal architect, engineer, and stage designer for the many gala events that he oversaw, in which he designed costumes, props and other decor items like hydralic machines. His skill was so appreciated that when Rudolf II took over from his father Maximilian in 1576, he was again kept on in this position.

Vegetables

And what was it that kept Arcimboldo in the employ of the Royal Courts of Vienna, and then Prague, for over 25 years? Undoubtedly, it was his unique and spirited style of portraiture. Arcimboldo created bold oil paintings of court figures and other personages, that when viewed up close could be recognized as depictions of fruits, vegetables, animals, and a variety of other items. The theme of the painting dictated the objects that it was created from. For example, his series on the Four Elements drew images appropriate for each one; ie. "Air" is made up of a variety of birds that form a face. Likewise, his series on the Four Seasons used images that could be found during that season; ie. "Winter" contains tree roots and bare branches. He also utilized the art of optical illusions, like in the portrait of a bowl of vegetables, that when turned upside down, can be recognized as the picture of a man.

Vertumnus

With a long and illustrious royal career behind him, in 1587 Arcimboldo was finally allowed to return to his native Milan. Despite no longer being officially employed by emperor Rudolf II, in 1591 he painted perhaps his most famous portrait "Vertumnus" and dedicated it to him. The portrait was appreciated as much then, as it is now and was to be his last known painting. On July 11th, 1593, Arcimboldo died at home in Milan. While many of his paintings were lost to the world after the Thirty Years' War, enough of them remained to influence the likes of Joos de Momper, Pablo Picasso, Rene Magritte and of course Salvador Dali.

This week, Budding Artists hopes that we can tempt you to be influenced by the artwork of Giuseppe Arcimboldo too! Contact us today to register your child for our Children's Art Workshop on March 31st!

Dale Chihuly: A Glass Sculpture Master

Budding Artists has a treat in store for the kids this week! We will be featuring glass sculptor Dale Chihuly this weekend at our Master's Series Children's Art workshop at the London Farmer's Market on Saturday, March 24th at 10am and 1pm. This extraordinary artist has captured the interest of not only the glass blowing community, but also a vast market of crafters and artisans worldwide.

Dale Chihuly was born in Tacoma, Washington on September 20th, 1941. He received his Bachelor of Arts degree in Interior Design from the University of Washington in 1965, then went on to study sculpture with Harvey Littleton at the University of Wisconsin. By 1968, he had received the Fulbright Fellowship, which allowed him to study glass blowing in Venice, Italy and to further attain his Master of Fine Arts from the Rhode Island School of Design. These were significant milestones in a career that was about to explode.

In 1969, Chihuly developed the Glass Department at the Rhode Island School of Design, where he subsequently taught until 1983. He also took his interest and the skills that he had learned along the way and opened the Pilchuck Glass School near Stanwood, Washington in 1971, with the help of John and Anne Hauberg. It was there that he further developed the art of team glass blowing on larger scale pieces, that would stand him in good stead in the years to come.

Persian Chandelier 

Working with a team became a career-saving move after Chihuly was in a serious accident in 1976 that resulted in the lose of sight in his left eye. He had to relinquish the chief glassblower position, but this left him with more time to develop his forms and the various series that he created. Over the years, those series included his Seaform, Macchia, Persian, Venetian and Ikebana series, but he was known to return to certain series at later points.

Float Triptych Drawing 

A bodysurfing injury in 1979 meant that he had to step away from the gaffer position entirely, but he relished the role of supervisor, director and problem solver in a way that he hadn't anticipated. It was at this point that he also began drawing to illustrate how he wanted his pieces to turn out.

The apparent physical setbacks did not slow Chihuly down in the least. Over the years he has had exhibitions all over the world, both indoors and out. Museums across the United States and Canada hold permanent collections of his work, as well as museums in England, Singapore and the United Arab Emirates. He has received eleven honorary doctorates, as well as numerous awards. And he hasn't slowed down one bit, with ongoing exhibitions across the US, new exhibitions planned for later this year, as well as the exciting grand opening of the Chihuly Garden and Glass this coming Spring in Seattle, Washington.

To truly appreciate the breadth and depth of Chihuly's skill though, you need to see it. The following video gives a better idea of the scope of his work, as well as words from this Master Artist himself. Enjoy and don't forget to register your children for the Budding Artists Kids Workshop this weekend!


 

Spotlight on Georgia O'Keeffe

Sun Prairie,Wisconsin can be proud to claim this week's Master Artist as their daughter by birthright. We are talking of course about the talented American artist Georgia O'Keeffe, who was born there on November 15th, 1887. Daughter of a dairy farmer, she decided that the artist's life was the one for her. Art training she received from a local watercolour artist when she was ten only fueled that dream and after graduating from high school, she enrolled at the School of the Art Institute of Chicago, which she attended from 1905-1905. She continued her studies in New York City, as a member of the Art Students League in 1907, but by 1908 gave up on the idea of a career as an artist.

Drawing XIII - 1915

For the next four years O'Keeffe worked as a commercial artist in Chicago, never once touching a paint brush. It wasn't until 1912, when she took a summer art class where she was introduced to the stylings of Arthur Wesley Dow, that her interest in painting returned. This was followed by a move to Amarillo, Texas to work as an art teacher. She taught in Texas for two years, then relocated to New York City to attend Columbia Teacher's College. When she completed teacher's college, she moved to south Carolina to work at Columbia College and during that time period worked on some charcoal sketches. The choice to mail them to a friend in New York was to alter the course of her life forever more.

Green Lines and Pink 1919

When O'Keeffe's drawings left her hands, with the help of her friend, they found their way into Alfred Stieglitz's famous "291" gallery. While O'Keeffe was very much aware of Stieglitz's gallery and reputation, she was not made aware that her drawings were on display prior to their showing. Originally upset, she spoke to Stieglitz herself and then agreed to let the pictures remain. This was to mark the beginning of a relationship that would see them married by 1924.

Red Canna - 1923

While Stieglitz was a generous fan, regularly displaying O'Keeffe's paintings at his gallery, it was her continuing skill and paintings that merited all the attention that she begot. She experimented in abstracts with charcoal and watercolours, developing an eye that captured New York's landscapes in a vivid way. She also painted many of her now famous large flower pieces that took the art scene by storm.

Horse's Skull with White Rose - 1931

Needing to find a new backdrop to draw inspiration from, O'Keeffe travelled to New Mexico in 1929. She was immediately enchanted with the wide open spaces, bright sun and bleached bones that seemed to be scattered everywhere. Her artistic muse came alive once again, this time set off by the rugged surrounding mountains that she returned to every year for upwards of six months at a time to escape to solitude and her paintbrush. Her canvases bear witness to her love of the New Mexican landscape, as bones, rocks, trees and the sky dominated her work throughout this time.

Pelvis I (Pelvis with Blue) - 1944

With the death of Stieglitz in 1946, O'Keeffe permanently made New Mexico her home. Known for her solitary ways, she continued to paint, with a series on pelvic pictures during the 40s.  Another transformation to her work came when she began her world travels from the 50s-70s. She became fascinated with the view outside her airplane window and captured it in several large series, both proportionally and in number of works. As she neared her 80s, O'Keeffe's eyesight began to fail her, which in turn affected her artistic output. With the encouragement  of Juan Hamilton, she re-entered the art scene briefly creating pottery and a few more paintings with assistance. On March 6th, 1986, O'Keeffe died at the age of 98.

On Saturday March 3rd, Budding Artists will take an indepth look at Georgia O'Keeffe and the legacy that she left behind in her over 900 paintings that she created. The children's art workshop will feature games, art history and an opportunity to create an O'Keeffe-inspired masterpiece of your child's own. Workshops are held at 10am and 1pm at the Western Fair District in the London Farmer's Market. Sign your child up today, so they don't miss out on the fun!